Gurus
MCN Originals

The Gurus o’ Gold Oscar Blowout – Part 1

The Gurus make their final estimations of the field as seen by the Academy… no huge surprises, but Vice tumbled in almost all categories, with a few stray hopes for an editing nod.

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Gurus o’ Gold: At The Start of The Season 2018/19

The festival season has started and contenders are getting their first screenings. The Gurus take a close squint and the known-knowns and the maybe-knowns in the first charts of the season. Off to the movies! Let the surprises begin!

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Gurus o’ Gold: Final Guesses

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20 Weeks To Oscar: A Week To Go

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Gurus o’ Gold: Top 3

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Gurus o Gold: Counting Down To Oscar Night

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20 Weeks To Oscar: The Big Quiet

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Gurus o’ Gold: Nomination Day (Page 1 of 2)

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Gurus o’ Gold: Nomination Day (Page 2 of 2)

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20 Weeks To Oscar: Nomination Morning

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Gurus o’ Gold: On The Eve of DGA Nominations

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20 Weeks To Oscar: Season of Assumption

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Gurus o’ Gold: The Globes Party On

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Gurus o’ Gold: And The Horses Are In The Gate (And Going On Vacation)…

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Gurus o’ Gold: Precursors Narrow The Field

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Gurus o’ Gold: Now We’ve Seen It All

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20 Weeks To Oscar: Year of the Reconstructed Rom-Com

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Gurus o’ Gold: Thanks

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Gurus o’ Gold: Oscars For The Ages

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20 Weeks To Oscar: Season of a Different Color

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Critics Scoreboard

“Champagne and Mezcal will run tonight!”
The Nomination Reactions

“Pardon me, but Home Alone has made enough hundreds of millions of dollars by now and solidified enough of a multigenerational fan base to survive the following review: to hell with it.”
Michael J. Phillips Ka-Fooeys A Christmas Chestnut

variety

“We’re excited to have Ricky Gervais back to host the most enjoyable awards show of the season in his own inimitable way. Disarming and surprising, Ricky is ready to honor—and send up—the best work of the year. Fasten your seats belts.”
Globes (And NBC) Submit To Gervais Again

Oscar Winners 2015
Birdman/Iñárritu/Redmayne/Moore/Arquette/Simmons
Birdman – Picture/Director/Screenplay/Cinematography
Grand Budapest – Production Design/Make-up/Costumes/Score
Whiplash – Supporting Actor/Editing/Sound Mixing

American Sniper, Foxcatcher, Nightcrawler In… Selma, Unbroken Out
PGA Nominates 10

hollywoodreporter.com

“This relief does not infringe upon First Amendment rights but maintains a reasonable balance between national security and the fundamental Constitutional protections of Freedom of the Press. No censorship occurs and no public access is restrained. This lawsuit seeks relief against those who profiteer by pretending to be journalists and whistleblowers but in effect are evading the law and betraying their country.”
Retired Naval Officer Files Innovative Lawsuit Against Citizenfour And Its Makers

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Quote Unquotesee all »

“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima