MCN Originals

The DVD Wrapup: Quiet One, Maiden, Itsy Bitsy, Killer Croc, Silent Revolution, Light of My Life, Spare a Dime?, Wax Mask, Prey, Aftermath, Sesame Street … More

If Mackenzie Crook and Toby Jones ever decide to make a feature-length encore for “Detectorists,” I’d love to see Wyman in a cameo with his patented metal detector.

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The DVD Wrapup: The Circus, J.C.’s Vampires, Bucket of Blood, Tracker, Black String, Major/Minor, Find Me Guilty, Pitching In … More

It not only represents the last film Charles Chaplin made during the silent era, but also the least heralded and most troubled of his masterpieces. Its production was so traumatic, in fact, that Chaplin left it out of his autobiography.

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Dad Star Man: A Review Of AD ASTRA

What if there was intelligent life at the farthest reaches of the studio system?

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The DVD Wrapup: Country Music, Cassandro, Hana & Alice, Hesburgh, Bottom of 9th, Chicago Cab, Socrates, Intimacy, Noir Archive III, In the Aisles, Midsomer … More

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The DVD Wrapup: JW3, Aladdin 4K, Third Wife, Daybreakers, Echo in the Canyon, Rabbi Jacob, Lock Up, Mayday … More

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Grown Goonies In The Boonies: A Review of IT Chapter 2

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The DVD Wrapup: Rocketman, Last Black Man, Tasteless, Pixelia, Cruising, Handkerchiefs, Kiarostami, Ozu, More Manson, Planets, Straight Forward … More

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Have Gunn Will Tweet

LA Times

“Everyone accepts that streaming breaks markets. It’s a black box that productions go into but don’t come out of.”
How Streaming Is Turning Hollywood Musicians into an Endangered Species

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“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima